In 1865, the San Francisco Board of Supervisors
passed a
"Order to remover Chinese Women of Ill-Fame from certain Limits in the City."
The next year, the California legislature approved
"An Act for the Suppression of Chinese Houses of Ill-Fame." Some interesting
facts related to these laws are as follows: in 1855, the number of Chinese
women in San Francisco was only 5% of the total Chinese population there.
More interestingly, a high percentage of early Chinese women immigrants
to the United States worked in the prostitution trade. In fact, even as
late as 1870, over 50% of Chinese women in the United States worked in the
prostitution trade.
1965
PATRICK
ADIARTE & VIRGINIA WING ON ABC'S PHYLLIS DILLER SHOW
On September 19,
1965, Patrick Adiarte and Virginia Wing performed a "Gotta Dance
& I Won'g Dance" medley on ABC's Show Beat that starred Phyllis
Diller. Since both artists began their respective careers as child performers,
their work can be seen from the 1950s to the present while serving as
role models that talented and trained artists of Asian descent have appeared
on television and films
since the days of Anna May Wong and continued up to the 1960s with artists such as The Kim Sisters (who made more appearances on the Ed Sullivan Show - 22 times - than any other performers, whether they were American or Asian.)
It
is interesting that Patrick and Virginia achieved what many Asian American
entertainers complained is not available, exposure on prominent U.S. media
as American performers - along with many Asian American media advocacy
groups such as MANAA not recognizing their achievements or honoring them
as entertainment pioneers.
This
musical number is of greater interest since it was directed by Jorn
H. Winther (five-time Emmy nominee for ABC TVs All My Children, and
director of the now legendary, original, David Frost--Richard Nixon TV
Interviews, in 1977) and choreographed by Wakefield
Poole (Broadway hoofer, Assistant Director/Choreographer to Tony and
Emmy Award-winner Joe
Layton - No Strings on Broadway; The Barbara Streisand Specials on
TV - and revolutionized the adult film industry in producing/directing
1970's landmark male-adult film Boys in the Sand and its sequels. The
song Gotta Dance! by Hugh Martin is from the 1948 Broadway musical Look
Ma, I'm Dancin! (book by Jerome Lawrence & Robert E. Lee); I Won't
Dance has music by Jerome Kern and lyrics by Oscar Hammerstein II, Jimmy
McHugh, Otto Harbach and Dorothy Fields.
 |
Click
on Graphic to Hear "I'll Remember You" |
1966
KU'I
LEE ("LENNY BRUCE OF HAWAII") DIED ON DECEMBER 3RD
Kuiokalani
(Ku'i) Lee (July 31, 1932 - December 3, 1966/died of cancer) was a
singer- songwriter who is mainly known as the composer that greatly helped
Don Ho achieved fame with hits like "I'll Remember You" and
"One Paddle Two Paddle." He
is credited with composing up to 80 original songs, some of which were
recorded by more than 100 artists worldwide (i.e. "Lalainaluna,"
Rain Rain Go Away," Ain't No Big Thing," "Tiny Bubbles"
and "Suck "Em Up") . His songs/album (1st album - "The
Extraordinary Kui Lee" was released by HanaOla Records just prior
to his death. The album's songs include I'll Remember You / Rain, Rain
Go Away / Yes, It's You / Kamakani Ka`ili Aloha / Goin' Home / Ain't No
Big Thing / Na `Ali`i / The Days Of My Youth / All I Want To Do / If I
Had It To Do All Over Again / Get On Home / No Other Song. These songs
were recorded in the last months of Kui Lee's life and originally released
nationally just days before he passed away. This album is the only known
recording of his intertations of his songs with the backing of NYC's finest
studio musicians) demonstrated his abilities to mix rock, jazz and
r&b to create a distinct modern Hawai'i sound/style. The now-famous
Aloha From Hawaii concert by Elvis Presley and concert merchandise sales
were a benefit that raised $75,000 for the Kui Lee Cancer Fund that featured
his signature song - the cover of Ku'i Lee's "I'll Remember You.".
Kuiokalani
Lee (the "enfant terrible of Hawaiian entertainment)
was born July 31, 1932 in Shanghai, China to entertainer parents Billy
and Ethel Lee (their third child and only son) and was brought to Hawaii
at the age of five after his mom died when he was four. His first show
business jobs were as a knife dancer and choreographer at New York's Lexington
Hotel's Hawaiian Room. In his seven years in NYC, he
got married to Nani Naone (hulu dancer at the Hawaiina Room) and had four
children. Upon his return to Hawaii in 1961, he met Don Ho while he was
a performer and doorman at Kaneohe's Honey's night club. He also formed
a group that performed at Maui's Kanaka Pete's, Kalia Gardens, Queen's
Surf, and the Waikiki Shell in 1966. His time in New York provided him
the ability to change Hawaiian music by erasing the "grass shack"
image.
Don
Ho, who recorded many of Kui Lee's songs, said of their deep bond,
"...We both felt that the people of Hawaii should try to create
their own music - take it to a different level from the hula-type
music into a more cosmopolitan level." |
It
was in 1964 that Kui
Lee wrote "I'll Remember You". It was in that same year
he discovered he had cancer. "I'll Remember You" has been recorded
by Don Ho, Tony Bennett, Andy Williams, Roger Williams, Herb Alpert's
Tijuana Brass and others. Elvis made his studio recording of it on June
12, 1966 in Nashville. In the 1970s, Elvis often sang it in concert and
it was captured on some of his concert albums, including, of course, the
especially beautiful rendition on his 1973 "Aloha from Hawaii"
soundtrack.
Kui
Lee was a champion of Hawaiian culture by promoting the Hawaiian sport
of surfing. He was concerned about the insurgence of foreigners, whom
he felt had, in the early days of Hawaii's statehood, plundered the natural
beauty of the slands for their own wealth and greed. He spent much of
the last months of his life organizing and sponsoring a surf club, the
Kui O Hawaii Surf Team. Kui
Lee went to Mexico for laetrile treatments, but became weaker and
weaker. He managed to record two albums while fighting cancer, the latter
of which debuted the day before his death in December 1966.
Kui
is part of the development off Hawaiian music that can be divided into
seven periods. 1820-1872: Arrival of the first missionaries, hymm harmony
singing and guitars. 1872-1900: generic form of Hawaiian music highlighted
by the Royal Hawaiian Band and artists such as Queen Liliuokalani. 1895-1915:
Influence of American urban music on Hawaiian music via ragtime and vice
versa. 1915-1930: First wave of the extremely high popularity of Hawaiian
music began during World War I and continued during the depression in
the 20's and 30's that spread to other parts of the world where Hawaiian
instruments (i.e. steel guitar) was heard throughout the world.1930-1960:
Golden age of Hawaiian and Hawaiian-inspired popular music that was highlighted
by Elvis' Hawaiian recordings. It is during this period that many of the
greatest Hawaiian songs are written and Hawaiian musicians enjoy great
popularity both as recording and performing artists..1960-1970: Decline
of Hawaiian music both in Hawaii and in the USA. 1970-Present: Hawaiian
music has experienced an increase in interest in the last thirty years.
The person who took most Hawaiian songs to the charts was Bing Crosby,
who in the 1930's, 40's and 50's recorded a very large number of songs
including the original version of 'Blue Hawaii'. The musical backing was
supplied by various Hawaiian bands including both Hoopii and McIntyre.
1966
MARCH FONG EU
March Fong Eu is elected to the California Legislature, becoming the
first Asian American assemblywoman in California history.
1967
RIGHT TO INTERMARRY WITH WHITES
On June 12, 1967 -
The U.S. Supreme Court ruled that anti-miscegenation laws were
unconstitutional in Loving vs. Virginia. That ruling invalidated laws
in 16 states that prevented Whites from marrying "colored" spouses,
including Asians. Until then many Asians had been forced to move to
more liberal states in order to marry.
1968
ETHNIC STUDY PROGRAMS @ SF STATE
Students on strike at San Francisco State University to demand establishment of ethnic studies programs.
1967
BOBBY WOO JR.: 200,000,000 AMERICAN BORN
In 1967, the United States was mired in Vietnam, dozens died in race riots in Detroit, Thurgood Marshall became the first African-American Supreme Court justice and an Atlanta woman named Sally Woo had a very special baby at Crawford W. Long Memorial Hospital.
Woo had no idea just how special her baby was until Life magazine told her Robert "Bobby" Ken Woo Jr., born at 11:03 a.m. on Nov. 20, was the 200,000,000th American.
The nation has become more ethnically diverse over the last three decades, with minorities making up 33 percent of the population in 2004, compared with 16 percent in 1970, according to Haub.
Woo's father, Robert Ken Woo Sr., grew up in Augusta, home to a generations-old Chinese-American community founded by laborers who widened the Augusta Canal after the Civil War.
Bobby Woo Jr., with wife Angie and daughters Erin, 6, Caeley, 16 months, and Megan, 3, at home in Atlanta, became the first Asian and Pacific-American partner at King & Spalding law firm.
1969
ETHNIC STUDY PROGRAMS @ BERKELEY AND S.F. STATE
Students at the University of California, Berkeley, go on strike for
establishment of ethnic studies programs. San Francisco State offers 1st
Asian American Studies courses as part of independent Ethnic Studies program.
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